With his new novel Contrapposto, Dave Eggers places the passion for creating art, its daily realities, and the struggle to survive in the art world at the center. The novel weaves a long story that moves between the mystery and practice of art.
In the story, Cricket and Olympia meet as elementary school children in a small town northwest of Indiana. While Cricket draws two-headed dragons and spaceships, Olympia directs him to intervene with profane writings in the schoolyard.
The two progress along a friendship and love line that repeatedly reconnects over about 65 years. They study art together at a public university in Indiana; Cricket resists academic trends while Olympia rescues him from an internship at an art gallery in Chicago.
Eggers sets part of the novel in Aliya, a coastal city in Turkey. Cricket spends years dismantling and repurposing old cruise ships there, until Olympia finds him and convinces him to work for their university classmate Kyle Heaney.
Kyle Heaney’s studio is depicted as a system with dozens of employees, where art turns into a kind of production line. The story then moves to Phuket; Cricket makes copies of iconic paintings like Guernica, while the shop sells Kahlo t-shirts and Haring towels.
Olympia occasionally disappears for years. Nevertheless, their relationship continues, fueled by rumors, theoretical debates, laughter, and rekindled attraction.
Eggers shared that his own visual art experience is reflected in the book. He received classical painting training at a young age, resumed drawing fifteen years later, and has been selling his works for years.
It was also noted that the author previously held a joint exhibition with David Byrne at Electric Works in San Francisco in 2010, and published the book Ungrateful Mammals in 2017. Eggers said his knowledge of the business side of the art world comes from both his own experiences and artist friends.
In the interview, Eggers addressed the balance between art and commerce, emphasizing that a young artist must both continue creating and support themselves financially. According to him, the real challenge is maintaining balance without turning work into isolation or a production factory.
Eggers also revealed that he tried historical fiction for the first time, working on a short story set at the 1915 Pan-Pacific International Exposition in San Francisco. This story centers on a character trying to preserve fading beauty.
Contrapposto stands out as Eggers’ attempt to rethink the tension between art, friendship, labor, and the market within an extended fictional narrative.